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Roman Klonek - Untamed Supporters

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We have been representing printmaker Roman Klonick in the UK for a number of years and are delighted to be bringing a solo show of 70 beautifully bold and colourful woodcuts, spanning more than a decade, to Atelier Beside the Sea this Spring. 

 

 

Born in Kattowitz, Poland, in the 90s Roman moved to Düsseldorf, Germany, where he studied Graphic Arts and discovered a passion for woodcuts. More than 20 years on, he still shares a studio with friends in the German city, from where he creates illustrations and prints which are instantly recognisable and distinctively his own. They typically feature a wide range of whimsical creatures accompanied by typographic elements of Cyrillic and Asian characters in a style that has been described as a ‘bizarre balancing act between propaganda, folklore and pop’. 

There is an unmistakable Central European/Soviet cartoon influence in Roman’s earlier works, with more recent travels to Japan injecting Asian pop and US comic culture references. Klonek's colourful and catchy work appears in print, on magazine covers, as murals, on skateboards, on packaging, and as art toys. 

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A prolific doodler, Roman’s compositions start as infinite and intersecting marks in his multitude of sketchbooks, evolving into individual elements and characters to be woven into fantastic scenes. The mirror image of these is transferred onto a single wood block, at which point the carving can begin. Roman uses the ‘lost cut’ technique, which means that all colors are printed with just one plate. As soon as the first color is on the paper, all those areas that should remain on the picture are carved away, and this process is repeated until the final color is the only relief left on the plate, with all other areas literally ‘lost’. Confused? Watch Roman demonstrate this fascinating (and risky!) process himself in this short video.

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Working in this way means that all the small mistakes, all the traces of the artist’s hand, are immortalised in each print impression. It’s this anachronistic quality that Roman likes to embrace, he says; “Like from an old story. It’s not really contemporary. That’s likely because the medium by itself is not really contemporary. You have to imagine in the old days of woodcut printing it was a common method to reproduce images and types – and all the little mistakes, coming along with the imperfection of the wood, have been knowingly accepted.
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"So one can say in the old days they did woodcut printing in spite of the mistakes and today you do it because of the mistakes. And actually these mistakes are responsible for an extra charm. They are also something like a guarantor for authenticity. Because every single one has its own little faults, and therefore it’s always an individual, and unique.”
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Untamed Supporters - Woodcuts by Roman Klonek continues from
21st April - 28th May at Atelier Beside the Sea, Kings Road Arches, Brighton. 11am-5pm every day.
Untamed Supporters - Woodcuts by Roman Klonek continues from
21st April - 28th May at Atelier Beside the Sea, Kings Road Arches, Brighton. 11am-5pm every day.